CIHA SÃO PAULO 2022
CIHA SÃO PAULO 2022 Our recommendation for January/2022 is the 35th Ciha World Congress – MOTION: Migrations, from January 17th
Menu
As our next recommendation, among the contents and resources to access, research and disseminate Non-European Art, we indicate the Mesocast project: a podcast focused on scientific dissemination, with the intention of fomenting the curiosity of the listeners about aspects related to the History of Mesoamerica.
The podcast intends to be a starting point for those who seek to know more about the Amerindian cultures of Mexico and Central America, by approaching different themes in 8 episodes, from historical-anthropological concepts to the history of chocolate. It was a project developed at the beginning of the COVID-19 pandemic by researcher Fernando Pesce, PhD student in History at IFCH-Unicamp and member of the Núcleo de Estudos sobre Arte Não Europeia (NEANE-Unicamp), one of our project’s course lecturers, responsible for the Amerindian Art classes in the post-graduation courses of our partner universities.
Access the episodes through the link!
CIHA SÃO PAULO 2022 Our recommendation for January/2022 is the 35th Ciha World Congress – MOTION: Migrations, from January 17th
Arte Não Europeia: conexões historiográficas a partir do Brasil Result of the first edition of our program, Connecting Art Histories:
Cerâmicas Arqueológicas da Amazônia – Rumo a Uma Nova Síntese Organized by Cristiana Barreto, Helena Pinto Lima and Carla James
Archaeology in Schools Coordinated by professors and researchers Anne Rapp Py-Daniel and Myrtle Pearl Shock, “Archaeology in Schools” is an
The Thinker of Cokwe A symbol of Angola’s national culture and represented even in the filigree of the Kwanza banknotes,
TOCAPU Tocapu was a decorative art form used in the Inca Empire, present in various media such as textiles, ceramics,
UKIYO-E Developed from the 17th century onwards in Japan, ukiyo-e is a genre of woodcut printmaking that represents one of
XVI ENCONTRO DE HISTÓRIA DA ARTE Today started the XVI Art History Encounter organized by IFCH – Institute of Philosophy